I am actually only actively reading one book at the moment! Claire LeGrand’s latest release, Furyborn. I am sure it’s being marketed as a feminist epic fantasy (ah, yes: “The stunningly original, must-read fantasy of 2018 follows two fiercely independent young women”) and I’m interested in that and how successfully the book fulfills that promise. I’m on page 283 of 494 and I keep waiting for a twist or a moment to coalesce the story and bring the two parts together. I suspect it’s coming soon? Anyway, it’s an interesting take on an YA epic fantasy, although I’m not sure I’m buying “stunningly original”–certainly the world is inventive and fascinating, but I pretty much always prefer a take on books that situates them within their historical context.
I think I’m making it sound like I don’t like Furyborn, which is not true at all! In fact, it’s probably my second-favorite fantasy read of 2018 to date (after Tess of the Road). I’m just always interested in how we market things and how that can strip books of history and context. Bringing me back to Joanna Russ, I suppose, and How to Suppress Women’s Writing--how do we forget the writers who came before, and what does that cost us? Anyway, it’s a thoughtful book, sometimes unexpectedly fun, and a surprisingly quick read despite its heft.
By Singing Light 
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[…] that the book faltered a bit under the weight of that message. Like Legrand’s other 2018 release, Furyborn, it seems like this is trying to be a fiercely feminist book, and there are ways it hits that goal […]