I was hovering on the edge of a reading slump when I read this one (symptoms of a reading slump: picking up and setting down a number of books, trying books you expect to like and finishing them with a grim sense of ennui, the inability to pinpoint exactly what you actually want to read) and I wasn’t really expecting this book to be the one to pull me out of it, but I was wrong.
This is a far-future scifi set on a group of distant planets belonging to the Coromina Group, an all-powerful corporation that operates a corpocracy. It controls everything about its citizen-employees and in turn supposedly ensures their lives are smooth and they have everything they need. Esme Coromina, the main character of Star’s End, is the oldest daughter of the founder of the Coromina Group and his assumed successor. As the book opens, her father calls her in and reveals that he’s dying, asking her to find her estranged sisters. The story unfolds in alternating chapters between Esme’s third person current life and first person past narration.
Star’s End does a couple of that I found interesting and liked quite a bit. Although it’s definitely science fiction and I found the SF elements plausible and interesting, it’s main focus is on the family dynamics and their ripples across the world. For all the planets, and technological innovation, and scifi warfare, it’s a very intimate story; at the same time, because everything the Coromina family does carries power with it, that very intimacy lies in an unresolvable tension with the wider implications and effects on the world.
It can’t be denied that in his family life as well as the planet, Phillip Coromina is a driving force. And yet the true heart of this books is Esme and her three sisters. In a way that reminded me of my beloved Girls at the Kingfisher Club*, Clarke shows a sisterhood that is complex and fraught, full of distance and tensions and misunderstandings, but which is for all of that as vitally real as can be. We can see Esme’s strengths and her flaws most clearly in the ways she deals with her sisters, and it’s in these moments that her struggle becomes the most palpable.
While I love books that talk about working against a system from inside of it (the Imperial Raadch books, for instance), Star’s End has a lot to say about the limits of that possibility. Esme’s desire in working to achieve her current status in the company has always been to become unlike her father, and to take the company in a different direction. She’s committed to that course already, in the changes she made while working in Planetary Management. But at the same time, the book lays her failures out starkly. And although the end is hopeful, the fact remains that the corpocracy is still in place; the system has not been demolished so much as made benign. Esme is not her father, and she learns over the course of the book how to be even less like him and more truly herself. The ending is hopeful and feels earned and true. But I think, quite deliberately, Clarke also wants us to see the gaps.
All in all, the combination of themes and concerns in this one really struck me, and I’m glad I read it! I really like intimate scifi, especially when it also has some interesting SF elements, and I’d like to read more of it.
* Obligatory, Jooooooooo, my heart
Book source: public library
Book information: 2017; Saga Press, adult scifi